Local Weavers

Local Weavers: Past and Present is indicative of all the things a creative community represents. This show embodies a collaborative network of makers and artists sharing knowledge and support, who often co-create in a supportive trusting space, encouraging growth and offering mentorship while fostering the art and craft of weaving.

Weaving, a primary method of textile production, is one of the oldest surviving crafts. Prior to textiles, the basic technique of weaving, interlacing of materials, was used as twigs, branches and grasses were intertwined for fencing, shelters and baskets. It seems that every culture has a tradition of weaving with historical examples dating to the Upper Paleolithic era (possibly 27,000 + years ago) from an archeological site in the Czech Republic.

This exhibit shares some of the 50-year history and growth of the MAG Community Art Center’s weaving program. It exemplifies the aesthetic and utilitarian aspect of weaving, the simplicity of the process and the potential complexity of technique. The pieces are rich in color, texture and pattern.

A myriad of approaches to the craft are represented. The utilitarian application of weaving is seen in Mary Cates’ beautiful handspun yarn blankets, the work of Nancy Alderdice, and the patterned blankets and towels of Eileen Wirsig. The art of tapestry weaving is illustrated in the work of Diana Wicai, and the intricacy of design is noted in the work of Brittney Falwell and Jo Bennett. In his work, Terry Joe Sledd combines weaving with the art of bookmaking.

The work of community and mentorship is evidenced throughout the exhibit. While not the first weaver at MAG, Mary Cates is celebrated for promoting the program and teaching many of the weavers represented, who, in turn, continue to advance the program.

We are honored to recognize Mary and her generous support of our educational programming. We are grateful to those she inspired and their fundraising efforts for the naming of the Mary Cates Weaving Studio. A special thanks to those who loaned their pieces and collected works to the exhibit, and to Eva F. King for her contribution to this publication as well as exhibition installation.